Good Taste
Baroque folk from Ireland, Scotland and England
Spirit & Pleasure
Traditional | The Gobby O Jig |
Traditional | Mrs Ballantine´s Reel - Mrs Fullarton of Fullarton´s Strathspey |
Traditional | An Clár Bog Deal |
James Oswald (1711-1769) | Shes´s sweetest when she´s naked |
Turlough O'Carolan (1670-1738) | Lord Galway´s Lamentation |
Francesco Geminiani (1687-1762) | Lady Ann Bothwel´s Lament |
Traditional | Lady Ann Bothwel´s Lament |
John Dowland (1563-1626) | Tarleton´s Jig |
Turlough O'Carolan (1670-1738) | Mac Donogh´s Lamentation |
Traditional | Lament |
Turlough O'Carolan (1670-1738) | George Brabazon. First Air |
Turlough O'Carolan (1670-1738) | Dr John Stafford or Carolan´s receipt |
Turlough O'Carolan (1670-1738) | George Brabazon. Second Air |
Traditional | The last Time I came o`er the Moor |
Francesco Geminiani (1687-1762) | The last Time I came o`er the Moor |
William Mure of Rowallan (1594-1657) | A tune |
Traditional | On the Brink of the White Rock |
Traditional | Mr Sloane´s Reel - Miss Georgina Mackay´s Reel |
Traditional | Caitlín Triall |
Traditional | Black at the Bone |
Traditional | Thro´ the Wood Laddie |
Turlough O'Carolan (1670-1738) | Lament for Charles MacCabe |
Traditional | Morrison´s Jig - Barley Broth, a Jig |
Traditional | Oh Nanny, wilt thou gang with me? |
Traditional | The Roving Galway Boy |
Traditional | The Reel of Bogie |
John Playford (1623-1686) | Greensleeves |
John Playford (1623-1686) | An English Masque |
Christoph Mayer, Violon
Johanna Seitz, Harpe
Monika Nielen, Hautbois
Durée totale: 0:58 (h:m)
Booklet: 12p.,
Numéro de catalogue AE 10346
EAN 4026798103460
Catégorie de produit: CD
Date de sortie: 15/11/2021
Traditional music from Ireland, England and Scotland touches our hearts in a way that is very special and somehow magical. On this CD, "Spirit and Pleasure" presents excerpts from the musical world of the 17th & 18th centuries in Ireland, Scotland and England.
Old pieces that had only been passed down orally, new music in the traditional style, composers who are classified as "courtly-bourgeois" discovered the charm of these melodies, provided them with basso continuo and variations and published them in London, the musical centre of England, for example.
The album title "Good Taste" is derived from the "Treatise of Good Taste in the Art of Music" by Francesco Geminiani.