

The Dark is my Delight
Music of renaissance England
Flanders Recorder Quartet
Amaryllis Dieltiens
Bart Naessens
Anonymus | Capricio & Volta du Tambour |
Anonymus | The Dark is My Delight |
John Dowland (1563-1626) | Sorrow, come |
Anonymus | This merry pleasant Spring |
William Byrd (1543-1623) | Sermone blando |
Thomas Morley (c.1558-1602) | The Nightingale |
William Byrd (1543-1623) | Ut, re, mi, fa, sol, la. |
William Byrd (1543-1623) | Fantasia |
Anonymus | Willow Song |
Thomas Morley (c.1558-1602) | Pavana |
Robert Parsons (c.1535-1572) | Ut re mi fa sol la |
Alfonso Ferrabosco (c.1575-1628) | Hear me, O God (Four Note Pavan) |
Alfonso Ferrabosco (c.1575-1628) | Four Note Pavan |
Hugh Ashton (c.1485-1558) | Hugh Ashton’s Maske |
Richard Nicholson (c.1570-1639) | Cuckoo |
Richard Nicholson (c.1570-1639) | Sweet, they say such virtue lies in your lips |
Robert Johnson (c.1583-c.1634) | Satyr’s Dance |
William Wigthorpe (c.1570-c.1610) | I am not I of such belief |
Thomas Preston (?-c.1563) | Uppon la mi re |
Flanders Recorder Quartet (Recorder quartet)
Amaryllis Dieltiens, Soprano
Bart Naessens, Clavecin
Bart Spanhove, Flûte
Joris Van Goethem, Flûte
Paul Van Loey, Flûte
Tom Beets, Flûte
Marie Verstraete, Flûte
Durée totale: 1:8 (h:m)
Booklet: 40p., Anglais Allemand Français
Numéro de catalogue AE 10166
EAN 4026798101664
Catégorie de produit: SACD
Date de sortie: 01/09/2009
- play_circle_outline This merry pleasant spring
- play_circle_outline Willow Song
- play_circle_outline Capricio
- play_circle_outline Pavana
The English Renaissance was of necessity a haven of chamber music: under the influence of the Puritans, the private sphere gained importance for the predominantly Roman Catholic musicians and the musical life of the island. Cheerful exuberance as well as deeply felt melancholy mark the works on this SACD. Among the composers are unknown names, but also those of Dowland, Byrd and Morley. A special highlight are the eight consort songs featuring the Flemish soprano Amaryllis Dieltiens in her solo debut on AEOLUS, sonorously accompanied by the Flanders Recorder Quartet.
The Belgian ensemble Flanders Recorder Quartet numbers among the absolute top formations of its kind. Concert tours regularly lead it to North America and Asia. On this SACD the ensemble plays 18 different Renaissance recorders, from soprano to great bass.
The recording was made in the splendid acoustics of the former Augustine church of Antwerp’s Augustinus Music Centre (AMUZ). The surround-sound version on the SACD promises special listening pleasure.
