Jesús Guridi (1886-1961)
Jesús Guridi - Complete Organ Works Vol.1
Esteban Elizondo Iriarte
Bundle(s) containing this item: info
Information: About bundles
A bundle makes it possible to get a better price for a certain set of AEOLUS CDs.
You may have noticed that here on the AEOLUS website certain CDs and SACDs are displayed to be available as part of a "bundle". So what is a bundle? A bundle is a set of several complete AEOLUS CDs. In case you buy a bundle you pay significantly less than you would pay for the single CDs, but you get the exact same CDs, including original packaging and original booklet.
This way we created bundles e.g. for some of our composer series, e.g. Froberger, Maleingreau, etc. Please find here all bundles on offer.
Please note that these bundles are only available here on the AEOLUS website, not elsewhere.
| Jesús Guridi (1886-1961) : |
| Final para gran órgano |
| Variaciónes sobre un tema vasco |
| Preludio |
| Fantasía |
| Interludio |
| El rebaño (Tríptico del buen pastor) |
| La oveja perdida (Tríptico del buen pastor) |
| El buen pastor (Tríptico del buen pastor) |
Esteban Elizondo Iriarte, Organ
Playing time: 0:56 (h:m)
Booklet: 36p., Spanish English German French Euskera (basque)
Order Nr. AE 10361
EAN 4026798103613
Product category: CD
Release date: 01/09/2002
Reviews on “Guridi: Jesús Guridi - Complete Organ Works Vol.1”
American Record Guide Blakely, :
Jesus Guridi Bidaola (1886-1961) was a late romantic Spanish composer born in the Basque region. He studied with Vincent d'Indy and Joseph Jongen, and his music closely resembles Jongen's. He lived and taught in the Basque region until after the Spanish Civil War, when he moved to Madrid and remained there until the end of his life.
Esteban Elizondo plays this program of Guridi's works on the 3-manual, 36-stop organ built in 1889 by Stolz Freres in the Church of St Peter the Apostle in Bergera. Stoltz was a Paris firm in competition with Cavaille-Coll's successor, Charles Mutin. I have seen only one Stolz organ, and it was in an abbey church in Lima, Peru. It had been severely damaged by the frequent earthquakes common in Lima. It was beautifully crafted and probably tonally similar to the one heard in this recording. Being simply a straightforward, mechanical-action instrument, it was more conservative than Mutin's work. Near the Stolz case in the choir gallery were a pair of 17th Century Spanish organ cases, their contents likely also destroyed by earthquakes. Inside both were speakers for a Hammond electrone. From 1948 on Guridi was the sales representative for Hammond in Spain. Could he have had something to do with that installation?
Elizondo plays well, and the organ sounds lovely. This will be expand your knowledge of regional composers of the late romantic period.
BLAKELY
Download original review:
AE-10361_American Record Guide.jpg 149.11 kB
