Johann Jacob Froberger
1616-1667
Froberger was one of the most important German composers of the 17th century, particularly in the area of keyboard music.
One of the most ambituos projects of AEOLUS is the recording of Froberger's complete works with Bob van Asperen performing at original historic instruments.
Works recorded by AEOLUS:
| Alleluia! Absorpta est mors | |
| Allemande & Courante G major | |
| Apparuerunt Apostolis | |
| Canzona I | |
| Canzona II | |
| Canzona III | |
| Canzona IV | |
| Canzona V | |
| Canzona VI | |
| Capriccio "XIX" (Innsbruck) | |
| Capriccio I | |
| Capriccio II | |
| Capriccio III | |
| Capriccio IV | |
| Capriccio IX | |
| Capriccio V | |
| Capriccio VI | |
| Capriccio VII | |
| Capriccio VIII | |
| Capriccio X | |
| Capriccio XII | |
| Capriccio XIII | |
| Capriccio XIV | |
| Capriccio XV | |
| Capriccio XVI | |
| Capriccio XVII | |
| Capriccio XVIII | |
| Fantasia I (Hexachord Fantasia) | |
| Fantasia II | |
| Fantasia III | |
| Fantasia IV | |
| Fantasia V | |
| Fantasia VI | |
| Fantasia VII | |
| Gigue "Aria Froberger" | |
| Lamentation faite sur la mort de Ferdinand III | |
| Partite "Auf die Mayerin" (Suite VI) | |
| Ricercar I | |
| Ricercar II | |
| Ricercar III | |
| Ricercar IV | |
| Ricercar IX | |
| Ricercar V | |
| Ricercar VI | |
| Ricercar VII | |
| Ricercar VIII | |
| Ricercar X | |
| Ricercar XI | |
| Ricercar XII | |
| Ricercar XIII | |
| Ricercar XIV | |
| Suite I | |
| Suite II | |
| Suite III | |
| Suite in A minor (Lübbenauer Orgeltabulatur) | |
| Suite in G major (Ihre manuscript, Uppsala / Partiturbuch Ludwig, Wolfenbüttel) | |
| Suite IV | |
| Suite IX | |
| Suite V | |
| Suite VII | |
| Suite VIII | |
| Suite X | |
| Suite XI | |
| Suite XII (Lamentation Ferdinand IV) | |
| Suite XIII "Mazarinade" | |
| Suite XIV "sur ce que j'ay été volé" | |
| Suite XIX | |
| Suite XV | |
| Suite XVI "Montecidium" | |
| Suite XVII | |
| Suite XVIII "à l'honneur de Madame Sibylle" | |
| Suite XX "Méditation sur ma mort future" (Memento Mori Froberger) | |
| Suite XXI | |
| Suite XXIII | |
| Suite XXIV | |
| Suite XXIX | |
| Suite XXVII "faite en passant le Rhin" | |
| Suite XXVIII | |
| Suite XXX "Plainte faite à Londres, pour passer la mélancolie" | |
| Toccata I | |
| Toccata II | |
| Toccata III | |
| Toccata IV | |
| Toccata IX | |
| Toccata Prima (MS Chigi Q.IV.25) | |
| Toccata Seconda (MS Chigi Q.IV.25) | |
| Toccata Terza (MS Chigi Q.IV.25) | |
| Toccata V da Sonarsi alla Levatione | |
| Toccata VI da sonarsi alla Levatione | |
| Toccata VII | |
| Toccata VIII | |
| Toccata X | |
| Toccata XI 'da sonarsi alla Levatione' | |
| Toccata XII | |
| Toccata XIII | |
| Toccata XIV | |
| Toccata XIX | |
| Toccata XV | |
| Toccata XVI | |
| Toccata XVIII | |
| Toccata XX | |
| Toccata XXI | |
| Tombeau sur la mort de M. Blancrocher |
